Gerd Zacher is an important figure in the history of twentieth century music. He was the most important New Music organist in the world, and it was thanks to him that composers such as György Ligeti, John Cage, Mauricio Kagel, Dieter Schnebel, and Isang Yun wrote so much music for the organ. Vihuela had been the forerunner instrument of modern guitar armed with six double cords. Vihuela pleased a period of extraordinary luck in Spanish first half XVI Century as testified by a series of publications; seven for seven different composers that reveal to the listener an amazing music quality. After Vermeer 40024 dedicated to Luys Milan and Luys de Narvaez Paolo Chierici give us in this long last album a wonderful anthology of the other five vihuela composers: Mudarra, Valderrabano, Pisador, and Daça; five composers very different among them but all with same compositional wisdom and a knowledge of instrument technical possibilities. Paolo Chierici lutist and guitarist and vihuelista of international fame plays this music with technical and philological mastery as testified by the complete end rich cover notes in the album booklet written by Chierici himself. For this recording he played a vihuela made for him in 1995 by Giuseppe Tumiati Milan luthier. This album completes Vermeer 40025 and both are a diptych of the best of whole vihuela XVI Century literature.
Gerd Zacher is an important figure in the history of twentieth century music. He was the most important New Music organist in the world, and it was thanks to him that composers such as György Ligeti, John Cage, Mauricio Kagel, Dieter Schnebel, and Isang Yun wrote so much music for the organ. Vihuela had been the forerunner instrument of modern guitar armed with six double cords. Vihuela pleased a period of extraordinary luck in Spanish first half XVI Century as testified by a series of publications; seven for seven different composers that reveal to the listener an amazing music quality. After Vermeer 40024 dedicated to Luys Milan and Luys de Narvaez Paolo Chierici give us in this long last album a wonderful anthology of the other five vihuela composers: Mudarra, Valderrabano, Pisador, and Daça; five composers very different among them but all with same compositional wisdom and a knowledge of instrument technical possibilities. Paolo Chierici lutist and guitarist and vihuelista of international fame plays this music with technical and philological mastery as testified by the complete end rich cover notes in the album booklet written by Chierici himself. For this recording he played a vihuela made for him in 1995 by Giuseppe Tumiati Milan luthier. This album completes Vermeer 40025 and both are a diptych of the best of whole vihuela XVI Century literature.
8021945004665

Details

Format: CD
Label: VERMEER
Rel. Date: 09/11/2020
UPC: 8021945004665

El Siglo De Oro / Various
Artist: Paolo Cherici
Format: CD
New: Available 14.99
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1. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 15, Pavana I
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2. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 9, Fantasia IX
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3. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 43, Tiento VII
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4. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 14, Romanesca I [O Guardame Las Vacas]
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5. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 37, Tiento V
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6. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 8, Fantasia VIII
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7. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 6, Fantasia VI
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8. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 13, Conde Claros
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9. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 5, Fantasia V
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10. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 16, Pavana De Alexandre
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11. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 17, Gallarda
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12. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 1, Fantasia I
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13. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 4, Fantasia IV
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14. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 46, Tiento VIII
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15. 3 Libros De Música En Cifra Para Vihuela (Excerpts): No. 12, Fantasia Que Contrahaze La Harpa En La Manera De Ludovico
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16. Libro De Música De Vihuela (1547) [Excerpts]: Duo Et Resurrexit
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17. Libro De Música De Vihuela (1547) [Excerpts]: Duo Benedictus
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18. Libro De Música De Vihuela (1547) [Excerpts]: Duo Agnus Dei
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19. Libro De Música De Vihuela (1547) [Excerpts]: Soneto [1]
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20. Libro De Música De Vihuela (1547) [Excerpts]: Soneto [2]
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21. Libro De Música De Vihuela (1547) [Excerpts]: Soneto [3]
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22. Libro De Música De Vihuela (1547) [Excerpts]: Soneto [4]
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23. Libro De Música De Vihuela (1547) [Excerpts]: Fantasia I Del Quarto Tono
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24. Libro De Música De Vihuela (1547) [Excerpts]: Soneto Lombardo A Manera De Danza
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25. Libro De Música De Vihuela (1552) [Excerpts]: No. 8, La Mañana De Sant Juan [Arr. For Vihuela]
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26. Libro De Música De Vihuela (1552) [Excerpts]: No. 4, Dezilde Al Cavallero Que
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27. Libro De Música De Vihuela (1552) [Excerpts]: No. 94, Canción Francesa "Sparsi Sparcium" [Arr. D. Pisado
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28. Libro De Música De Vihuela (1552) [Excerpts]: No. 3, Pavana Muy Ilana Para Tañer
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29. Libro De Música De Vihuela (1552) [Excerpts]: No. 15, Si La Noche Haze Escura [Arr. For Vihuela]
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30. Libro De Música De Vihuela (1552) [Excerpts]: No. 81, O Dulce Vita Mea [Arr. D. Pisador For Vihuela]
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31. Libro De Música De Vihuela (1552) [Excerpts]: No. 84, Ma Dona Mala Vostra [Arr. D. Pisador For Vihuela]
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32. Libro De Música De Vihuela (1552) [Excerpts]: No. 85, La Cortesia [Arr. D. Pisador For Vihuela]
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33. Orphenica Lyra (Excerpts): No. 7, Fecit Potentiam [Arr. M. Fuenllana For Vihuela]
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34. Orphenica Lyra (Excerpts): No. 8, Fecit Potentiam [Arr. M. Fuenllana For Vihuela]
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35. Orphenica Lyra (Excerpts): No. 10, Fecit Potentiam [Arr. M. Fuenllana For Vihuela]
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36. Orphenica Lyra (Excerpts): No. 9, Duo De Fuenllana
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37. Orphenica Lyra (Excerpts): No. 143, De Los Álamos Vengo Madre [Arr. M. Fuenllana For Vihuela]
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38. Orphenica Lyra (Excerpts): No. 12, Fantasia I
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39. Orphenica Lyra (Excerpts): No. 173, Una Fantasia De Redobles Galanos
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40. Orphenica Lyra (Excerpts): No. 26, Fantasia VIII
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41. Orphenica Lyra (Excerpts): No. 135, Duelete De Mi Señora [Arr. M. Fuenllana For Vihuela]
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42. Orphenica Lyra (Excerpts): No. 113, Tan Que Vivray [Arr. M. Fuenllana For Vihuela]
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43. El Parnasso (Excerpts): No. 3, Fantasia III
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44. El Parnasso (Excerpts): No. 15, Fantasia XV
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45. El Parnasso (Excerpts): No. 21, Fantasia XXI
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46. El Parnasso (Excerpts): No. 22, Fantasia XXII
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More Info:

Gerd Zacher is an important figure in the history of twentieth century music. He was the most important New Music organist in the world, and it was thanks to him that composers such as György Ligeti, John Cage, Mauricio Kagel, Dieter Schnebel, and Isang Yun wrote so much music for the organ. Vihuela had been the forerunner instrument of modern guitar armed with six double cords. Vihuela pleased a period of extraordinary luck in Spanish first half XVI Century as testified by a series of publications; seven for seven different composers that reveal to the listener an amazing music quality. After Vermeer 40024 dedicated to Luys Milan and Luys de Narvaez Paolo Chierici give us in this long last album a wonderful anthology of the other five vihuela composers: Mudarra, Valderrabano, Pisador, and Daça; five composers very different among them but all with same compositional wisdom and a knowledge of instrument technical possibilities. Paolo Chierici lutist and guitarist and vihuelista of international fame plays this music with technical and philological mastery as testified by the complete end rich cover notes in the album booklet written by Chierici himself. For this recording he played a vihuela made for him in 1995 by Giuseppe Tumiati Milan luthier. This album completes Vermeer 40025 and both are a diptych of the best of whole vihuela XVI Century literature.